Thursday, January 19, 2006

Flowers

Death Flowers

(written when i had to...)

Shake's blood boiled. He harrumphed, then walked out the drug store. Shake knew, in his mind, that someone's going to jail. He had always been suspicious, for the fertilizers smelled different. Yes, he knew how fertilizers smell like: earthly, sun-baked. These new fertilizers he brought to the pharmacist for inspection had sparked his doubt, for the aroma of the canisters stung his nose.

Yes, he was right. Glyphosate. The scourge of death. It wasn't fertilizer...

Now Shake was wondering how to return them. He want to get justice from the mischievous salesman who tricked him. And he sure will. He's not a simpleton. But it was dusk, so he might just do it tomorrow. On his way home, Shake had been constructing his award-winning complaint. He reached for the door of the house almost the same time his ultimatum was finished.

“Oh here comesh my boy.” spat an old man embedded in a worn-out couch by the living room. His long prehensile fingers perpetually enclosed a bottle of Valium. His voice was muted by 30 years of drug use.“What have you been up today? Clarinet lesshonsh?”

Shake forced a smile. He didn't want to spark the man's anger. Shake might be a horticulturist, for all he cared about, but for now, he's the musician everyone in the family thinks he is.

“I'm doing the Oboe.”

Enough to keep the man's mouth shut. Shake had his fill of sermons about him not being so musically inclined. And he doesn't want to witness another series of hyperventilating fits.

He was never musically inclined. Music was never his field. But because Dad hyperventilates whenever he's mad, Shake lived the life of a musician. Guitars, Drums, Gamelans... His childhood was a picture of him playing the piano while a menacing teacher looked on, brandishing a long stick of madre cacao, ready to strike once Shake's fingers struck the wrong note. Dad wanted Shake to learn music, like he did, like their forefathers, their predecessors. But Shake's calling was gardening, tending, and landscaping. That's why he had lied to Dad about working in a local cafe as a keyboardist, when in fact he works at a paper recycling company. It's best kept this way, Shake often reminds himself.

As he went up his room, he felt guilty learning the fact that he was responsible for the death of his plants. He looked out his window poring over the backyard, and stared at his ever withering patch of hydrangea. For him it's like the death of a friend. In comatose. Deteriorating every one second. Helpless and silent. And he was to blame for it.

The hydrangeas need the most expensive fertilizers there are, the best quality, but Shake cannot afford them. He works at slightly above minimum wage. It's January, and the summer openings in most companies start late March. There's a gardening supplies retail store nearby that caught Shake's attention, but their part-times do not open until April. Shake enlisted nevertheless. His interview is scheduled three months from now.

Shake stooped at the hydrangeas. The two remaining white conical blooms flowed with inspiration. I will land the job, he said to himself, before retiring to sleep.

The next morning, Shake looked out his window for his daily dose of hydrangea. It had been his routine since they were planted, because it gives him a pacifying feel. Now, though, he didn't feel any. Two white conical blooms lay on the ground, as if plucked. Fungi had started growing on their sappy ends. Shake felt sick.

“Oh honey, don't sweat it. Maybe you just didn't follow the instructions...” Mama reasoned out, in the kitchen.

“I have been gardening since I was 6...”

“Yes, ever since our backyard became a graveyard for dead plants.”

“That's not true.”

“Oh whatever. Give me those fertilizers. We are a family of musicians. Not gardeners.”

Shake can't find a proper reason why Mama never supported him. Is it because gardening is an expensive past time? As well as it is for girls? Or was Mama afraid that Dad might find fault in Mama's futile effort, that she follows what he dictates so as not to compromise the marriage and the family?

Shake always perceived Mama and Dad as two different persons. One gobbles pizza, the other eats lean meat in vinaigrette. Mama destroys the weighing machine, Dad floats in the wind. Although their only common denominator is music, Shake can't convince himself that Mama follows Dad's house policies.

Not until one day, Shake was looking for his shovel under the materials depository down the garage, when he chanced upon a heavily tinted newspaper-covered bottle hidden beside a stack of rusty barbecue grills, hidden as if it's something no one should see. Just some normal bottle, but what caught Shake's attention was the label showing behind the torn part of the newspaper saying: Weed Killer...

Shake never bought weed-killers. He never bought herbicides, for the matter. He plucked every little weed in contact with his plants manually, without the help of chemicals. Herbicides are sometimes non-selective, they might harm the other plants. And now, in their home with only one gardener, an alien bottle of herbicide resides down the guts of their garage. Whoever put this here? Shake opened the bottle, and a familiar smell stung his nose. He had been used to that smell; he used to smell that during tending time, every morning, every time Shake fertilizes his hydrangeas. After consulting the pharmacist about the real identity of the culprit inside his canister of fertilizer, Shake stripped the suspicious bottle of its newspaper covering. And there, emblazoned under the two throbbing words that spelled death to his plants was the deadly chemical name of the defoliant he had encountered before. Glyphosate.

Mama pondered over the dishes how her plans went out. The hydrangeas are not blooming anymore. Such a waste, Mama thought... If only Shake would live up to their musical lineage, and her other son stop thinking about journalism and do the guitars instead, she wouldn't have done what she did. But it's not the case, and Dad's nerves are splitting, so Mama started putting things on her own hands. “Weed killers wont hurt,” Mama told Dad one evening, and Dad consented. Besides, it's not to spite Shake, it's just to put him back on track.

It's not every long before Shake finds out who had been responsible for the killing of his hydrangeas. Shake had been doing the laundry, a day after he bought a new can of fertilizers from another supplies store, when he chanced upon a piece of crumpled paper shoved into the pockets of one of Dad's jeans. Shake opened up the now wet piece of paper, and a receipt unfolded before his eyes, showing the purchase of the same chemical defoliant he found in his old fertilizer.

Realizing the impending danger, Shake left the laundry, dashed up his room, and emptied the can of Mr. Surebuy Fertilizer. He knows the prank now, though for him, it's no prank. It's a call to war.

But Shake isn't the type who would be violent. He wouldn't rage to his dad's side and throw words like they're daggers. He would do some damage, yes he will, but it will be as subtle as the slow death of his plants.

A telegraph for Dad came one fine Sunday morning, telling him that some of his musical instruments will be confiscated because they were smuggled and resold. Not only that, they were also imitations, and the pirated company orders the destruction of the said instruments. Mama knew the repercussions of this, that she made ready the Valium bottles, just in arms reach.

“Thish can't be! I ordered them from a trushted mushic shtudio!” Dad ranted, his voice a silenced wisp of extinguished tobacco. “I have been buying from that shtore shince I was in college... You remember hon, when we were in the univershity?”

“Yes yes... Now you calm down. There must be some mistake, that's all...”

“And I have alwaysh trushted them, for chrishake, give me a pill, and now thish?”

“Honey, be careful, you're stressing yourself...”

“How will I calm down? Everything here'sh shmuggled material!! Thish guitar!” Dad flung a guitar to the wall, shattering it to pieces.

“Raul, stop that!”

“And thish violin! Why will I shtop?! Theshe are fake!” Dad, perpetually sobered by medication, strained to demolish the place. “And thoshe drumsh Oh thoshe drumsh! That's why they have been shounding like losht lambsh mooing!”

“Oh no you don't. Stop this Raul...”

“These costed me my life! Give me a pill! They've costed me all my salaries!”

“Here. Don't worry I'll call the shop. What's this?”

Mama, amid Dad's tirade of destroying the musical instruments, stopped to take a second look on the tablet of Valium. “I never knew Valium tablets were in the shape of Ted Flintstone...” Mama gave the tab to Dad.

For the first time in 30 years, the Valium tab tasted sweet. Sour sweet. Like vitamin tablets for children. Dad chewed on, “Give me one more...”

“Wait, let me get another bottle,” Mama replied. “I think there's something wrong with this. Valium can't look like Ted”

Mama went to the medicine box, took another bottle of Valium, opened it, and voila! More Flintstone tablets.

“Give me more!” Dad's hyperventilated plea scared Mama.

“Honey, this is not Valium! Wait, let me go to the drug-...“

“I need it now! What'sh the matter with you?”

“Just let me go to the drugstore!”

“I'm seeing stars! Give me my Valium!”

“In a minute, I will... Shake? Shake!? ”

Dad fell to the hardwood floor like a chopped off piece of meat. Three hundred miles away, a horticulturist found home.

Dad was rushed to the hospital that same day. He fell into a comatose, and his expenses had to be paid by his son who became a journalist after the ordeal. The musical instruments were never confiscated. No one ever came to do so. It appeared that the telegraph was a prank message. Mama pondered over the dishes why this had to happen. Maybe kharma, for killing the hydrangeas, Mama thought. Mama pondered, over the dishes, this time, in a white room where her husband lay in comatose, nurses in green scrubs walking by behind her like ants in the gathering.

A whole lot of death flowers were delivered to the Caliwag residence the day Raul died. Many were from famous musicians and composers, some were from relatives. To Mama, all of them looked the same: a bunch of anthuriums and violets. All looked alike, except for one lush crown of immaculately white hydrangeas standing tall and sinister amid all the reds and violets... Mama felt sick when she looked at the signatory. On the card was the slanting scribbles Mama always thought was very feminine and flowery:

“Condolences to Raul Caliwag, a great musician.

Flowers courtesy of The Gardening Store...”

Monday, December 05, 2005

Breathe

Breathe Me In
(Written when I read a long-lost friend's blog)

Take me in. Carry me to this world only you knew. Make me feel the caress my body ached for. Your eyes, they are the brightest of green. Pierce me. The sinews of your body, it throbs with life. Can I touch you? I can feel your pulse. Here... Take off that shirt. I can feel you more. Touch me, yes. Your touch is what my body had so longed for. The warmth. This is nourishing. To the bed, to the bed. I just want a warm body tonight. I want that to be with you. I love you. Love me. In abandon. Love me until my breath lasts for eternity.

Your love, I shall remember. Your touch. Your kisses. Let's explode... Together. This cold night will never erase my memory of you.

I love you...

Thursday, November 17, 2005

Future

Future Me

by kimoy virtucio-tolentino
(written when i felt too exhausted in skin diving)

“You have to do it Troy. You know the Ethics of Medicine...”

Troy's piercing green eyes were staring at the floor. Sweat broke at his forehead. “Yes sir. I just hope you don't rush me because this is a very hard task.”

“Yes, it is hard. I wouldn't be able to face it myself. But...”

“I understand sir. This is for the rest of the people,” Troy stood up, walked out the door of the Head Doctor's office, and went straight to a telephone booth just outside the hospital's left wing. He dialed the numberless buttons. Troy heard three long rings before a sweet female voice came in.

“Quarantine Services, Good morning...”


Tick tock tick tock.... so goes the clock. A single man lay on his uncomfortable dusty bed, in a room lit by a weakening sepia from the bulb. It's dusk now, and the horizon is orange immersed in deep violet, and the desert outside looked more of a death valley. The sinking sun is reflected on the high fences surrounding the house, reflected on the man's tanned face. His eyes were a pair of crystals showing a bright green against the light. These piercing eyes were looking at the pictures at the far left. The largest frame was a class picture... he could do nothing but reminisce these faces he knew 54 years ago. Four pairs of boys surrounded by a horde of 36 girls... he could do nothing but reminisce.

He scanned the pale faces smiling back at him, and spotted at once the face that always stooped at him whenever he looked at the mirror. That was years back. He doesn't see the boy now; all he saw at the mirror was the withering mirage of a ghost. He focused back at the picture, scanned it again, and saw the two girls who have been the mirror of his childhood.

“We are old now... I never thought we would eventually get separated,” the man told the picture in a voice tarnished by time. The bigger of the girls he never saw since he graduated college, the other one he saw two years ago – dying in an asylum... tears fell down the rocky edges of his cheeks.

He looked at the clock... tick tock tick tock. The short hand was pointing at the dot between 5 and 6. “It's about time,” said the man. Before he closed his eyes, he took his time looking at his priceless possessions: the eight books written under his pen and the pictures of the people who made his life on earth a meaningful one. He dropped his eyes on everything, trying to create a mental picture of the room he is in. There was the volleyball he has played with when he was a child – it's deflated now. The personal computer stood sinister beside the door. The set of slippers he had worn out lay silently at the shoe rack on the far right. And lastly, there on a chair beside his bed, slept the figure of a woman. The brown hair that once shrouded her head is now silver, her skin was still silk but had fine lines embedded in it, and her face was still the sculpture he encountered on a bus station in a busy city three miles away. She had always been fond of this lady, and the girls and boys that she reared and he fathered.

“It was so bad they cannot come, Tori,” the man whispered now. The woman stirred and sat upright in a breeze, looked at the man and said:

“Everything is alright, Keith. You won't suffer anymore...” the woman cried, but in silence, as the hazel eyes pored down on his. And as if they communicated in a language the spirits taught them, Keith looked away, looked at the sun, and blinded his green eyes with the powerful rays. A piercing pain gnawed at his head.

“It's time, Tori. I'll see you soon,” he told the woman without looking at her, and with a final breath, he closed his eyes, let out the last somber hold he had against morphine, and succumbed to death...

“I love you Keith...” was the last thing he heard.

Five minutes later, Tori dialed the phone.

“He's gone. Bring them in.”

Immediately after, a group of paramedics entered the room, hauled Keith's body on a stretcher and left for good. Eighty-seven days later, Tori reunited with Keith again.

Three miles away, a hospital was buzzing with lilfe. A young medical doctor with piercing eyes strode to the Head Doctor's office.

“Sir, the last two specimens infected by the virus died over the past three months. The last one died today. I believe the virus has been eradicated...” there was shivering in his voice.

“I see. Very well done, Troy. Very well done.” the head doctor congratulated Troy. “And Troy, I want you to know that I'm very sorry for their demise.”

After the meeting, Troy went out the hospital terrace and breathed the fresh air.

“May you rest in peace now mum. I hope you and dad understand why I did this...”

Sunday, October 23, 2005

Constant

Constant
(written when i felt so out of place at the workplace)

So the stillness lives on
The slum I live
The constant I represent

What do I see on the reading of my future?
Nothing compared to yours
For you live in a magic castle
Where richness is a universal given

It's astounding
How worlds can exist
Within inches

I have come accross
People who live
Life to the fullest.. to the fullest

Why can't I be them
I eat the same way they do
Breathe the same way they do
Perceive the world the same way they do
Think the same way they do

Or maybe not
For I eat to indulge me
Not to hate my body later
I breathe to suffer
Because breath is such a burden for my asthmatic lungs
The world is a complex design
Where simpletons like me may just stare in wonder
And my thoughts...
Too depressive to even dwell on

So the stillness moves on
Consuming my frail body
I dare not look at my future.

Sunday, August 21, 2005

Imperfection

I am Imperfection
(Written when someone fouled me)

I am imperfection
the son of two cultures
clashing

I cry
for the world doesn't own me
it refuses to

i praticed my smile
to show the world that i can
stand strong

but my smile is superficial
behind it
lies the withered sould of my being

i'm tired
of having to play the part
that wasn't me in the first place

but i stand
on my mistakes
and make myself feel tall

i am proud nevertheless
of my uniqueness
of my pains

i just hope
that i can hold on longer
until my dream comes true

outside
the tears of heaven fell
on the lonely pavement

it is cold
and my body shivers
with the loneliness of outside

Tuesday, July 26, 2005

Mirror

Mirror Image
(Written when depression ate its way to my soul)

I’m aching. I pity myself for being under everything. Why do I have to be someone who blends on the background? Someone who listens, and listens forever… I listen to your secrets, but you don’t listen to mine. I have a heart too, and it’s as sensitive as anyone else’s.

I pity myself for being the underdog all the time. I pity myself for being someone who you tell stories too. You never heard my stories back – it’s always you or nothing. So I kept my mouth shut. I hope you realize that I have my own stories too.

I pity myself for not being loved. I looked at the family portrait, and I never saw a family. I looked at the tiny figure with curly hair. He was small, and his eyes were looking distant. I pitied him, for being around a bunch of people who cared nothing about him. I looked up at the blue sky, asked God why this is happening to me. But I realized that my eyes have betrayed me. The sky is not blue, it’s gray. And it’s raining…

So it’s me against the world, as always, and I’m already sick of it. I’m already numb. I looked at my hands and asked myself when they last touched another hand. I pity myself for not having a cuddle when my heart is so aching; when I fall down and I can’t find the way up. I pity myself for being neglected, for trying to fit in, for always being ignored.

I looked at myself in the mirror. My eyes were the brownest eyes there could ever be. I tried to smile, but my eyes did the opposite way. I love my eyes, but it’s always me who loves my self. No one else does.

I listen to everything you say, but whenever I speak of my life, you turn away. I know your secrets, you voluntarily told them, but you didn’t even ask for mine. I appreciate everyone, to make them feel better, but I don’t get them appreciating me back. I always have to be supportive, and that’s it. I never felt any support, and now, I’m hanging by a thread.

I cry to myself, cry until my pillows are wet. But I cried only to myself, because only myself loves me. I never dared cry in front anybody again – I would just look like a soft heart. So I cry to myself. I pat my back, and tell myself that I can do it; I can live life because I’m a strong person. I tell myself that tomorrow is nothing compared to what I have been through. I hug myself because it’s the only kind of affection that I can afford. I rely on myself; depend on my own shoulders, because if I don’t love myself, no one will love me. And I will be left in the dark. I tell myself that I’m a special person. I do to myself what others failed to do…

But it’s an artificial process, and I get artificial happiness from it. At first it was good, it was relieving. I was able to numb the pain that I feel inside. But now, I’m tired of this. I’m tired of everything that is not real…

I smiled at my mirror image… the perfect smile. A camera would have made a lot of money reproducing the smirk that took me a long time to practice.

I smile; I stand tall and hold my chin high. I tried to look strong, because everybody wanted to see the strong me and no one else. But behind my mask, I am shrinking. I am limping. I am sick. I looked at myself at the mirror, looked at my body, and I noticed that I was frail, that I could break any second. Behind my mask lie the deepest of my sorrows – my pains, my wounded soul, and my beaten esteem. And yet there is no one who sees them.

I feel cold. I looked at my skin, touched it, caressed it, and tried to stop the throbbing. But the most painful bruises are underneath my skin; they’re deep inside the hollows of my heart. And they never healed.

I wish to have someone who I can lean to, someone who would appreciate the dumbest things that I do. What joy would it be to have someone to pat me at the back, and tell me that I can do it, that I can live until tomorrow, that I can be more than what people had expected me to be. I need someone who will cuddle me when I feel hollow, someone who will comfort me when my tears are flowing, and someone who I can be with so that I’m no longer alone in facing the world.

And in just the blink of my eyes, I realized I was dreaming. I still can’t accept that the luxury of having a best friend is as farfetched as having a family of my own. I’ve lost mine, and there’s nothing more painful.

I looked at my arms, and asked myself when they were last hugged by someone.



I feel alone. How could life be crueler?

So I cry… Cry my eyes out. I intoxicate myself with the addictive relief found in crying. I cry like a child, for I’ve never grown anyways. A child left outside, at the cold darkness, under the streetlamp that flickered every now and then. He was hugging his knees to his chest, to keep the warmth that was a remnant of the happy world that he once lived. Now he’s alone, and he is dying because of the cold…

The brownest eyes there could ever be closed, and a bud of tear rolled down his cheek.

Sunday, May 08, 2005

Giver

Screened Giver
(Written when someone wrote poetry for me...)

We are the givers
That enjoyed while giving
That were isolated
That were traumatized
That succumbed to isolation
That didn't enjoy giving
And was not given in the end

I am the one enjoying
The one who stirred effortlessly
The one who went away
The one who was preyed upon by fear
The one who stayed far
The one who stirred with effort
I am the one who's missing